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words: TA Ok all, I’m officially getting sick of Megan. She is taking up a ridiculous amount of screen-time for a new character (compare her to Dawn, for example), and she is starting to amount to nothing more than a Mary Sue to my eyes (for those of you not familiar with that term, click the link, […]
May 9, 2012 by tellyanalyst
words: TA Here’s what I love about Mad Men when it’s at its best: there are at least two ways of seeing every plot development, and they all have equal validity in the moment. We know as little in the present as the characters do—there’s no foreshadowing, or obvious set-ups for an inevitable plot twist. […]
April 30, 2012 by tellyanalyst
words. TA Oh, I really loved this episode. Yay! Why? I think I figured it out: because instead of having a Theme and Things With Meaning, it had a lot of characters, interacting with a lot of other characters, and all of these interactions intersected and overlapped in ways that weren’t so easy to map. […]
April 24, 2012 by tellyanalyst
words: TA My limited web information-gathering has led me to the conclusion that everyone loved this episode. Oh well: I was underwhelmed. This was the kind of episode that to me screams This!Is!Art!, which certainly can work sometimes—it was moody, beautifully staged and shot; but in my eyes it was cold at the center. First, […]
April 16, 2012 by tellyanalyst
words: TA Let’s start with this tidbit: this episode was co-written by Frank Pierson, the Oscar-winning screenwriter of Dog Day Afternoon, Cool Hand Luke and Presumed Innocent (among other films). And this episode was all about the writing. All the ideological issues that I would not want to gloss over—can we ever please see anything from Trudy’s […]
Everything is cool. 
May 15, 2012 by tellyanalyst
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